Subscribe| Poetry | |
| Marcy Rae Henry | this poem appears in |
| if the Maya played a game | |
| Sharon Lin | Futurity |
| Despy Boutris | Leitmotif |
| Cynthia Atkins | Poem Going Rogue |
| James Davis | A Story of the Lips |
| Cecelia Hagen | Escapade |
| John A. Nieves | Anti-Sonnet b/w Ars Poetica (7" Series #1) |
| Ekphrasis on the Cover of There Is No Enemy | |
| Jane Newkirk | Drought |
| Justin Groppuso-Cook | Charts |
| Benjamin Paloff | Of Readiness or Slowness in Speech |
| Alexandra Malouf | [Mother Among the Rocks] |
| Lindsay Clark | Dissociation Curve |
| Kate Hubbard | Taking Stock |
| Susannah Sheffer | Maybe I Too Will Become |
| Donna Vorreyer | The Sacrifice |
| Moriah Cohen | The Universe's Attraction to Entropy |
| Alice White | Lunch |
| Sara Watson | (Dorothea Tanning, 1942) |
| Imagen de Yagul (Ana Mendieta, 1973) | |
| (Florine Stettheimer, 1923) | |
| Lisa Summe | Polyamory Landmark Alert |
| John Gallaher | Smells Like "New Car" |
| The Driving Conversation | |
| Jason Fraley | [A corpse reclining on my couch.] |
| Amy Roa | Wildfire |
| Leah Umansky | Upon Crossing the Brooklyn Bridge While Wildfires Brush Through Quebec |
| Lindsay Younce Tsohantaridis | Selkie Bride |
| Julie Danho | |
| Your Birthday Came Around Again | |
| Anthony DiPietro | The God of Love Explains Polyamory, pt. 1 |
| Gabrielle Grace Hogan | Preservation Method |
| The Field Where I Was Most Alone | |
| Mary Rose Manspeaker | Memorial for Victoria High School |
| Katrina Madarang | What the Dead Leave |
| A. Molotkov | Expectations of History |
| Fiction | |
| R.S. Powers | Hitting Standstill Traffic Not Long After Quickly Embarking Upon an Unanticipated Road Trip to Attend My Estranged Father's Funeral Two Time Zones Away |
| Caroline Fleischauer | mothers |
| Michael Welch | Exit Strategies of a Great Squirrel Army |
| Danny Lang-Perez | Professionals |
| Gillon Crichton | Lanier |
| Taylor Melia Elyse Mahone | Summerland |
| Creative Nonfiction | |
| Andrew Bertaina | Dreams of Crows |
| Portfolio | |
| Dale Rogers | Portfolio |
Fall/Winter 2024-2025
