| Poetry | |
| Ali Hintz | To Water |
| Ginny Threefoot | Pool Season |
| In Paradise: All Come by Chance | |
| Ashunda Norris | "You Cain't Help What Come Up on You" |
| Bee Morris | Tenderness Exercise |
| The Minding of Business | |
| Anna Laura Reeve | German Shepherd |
| Karin Aurino | the open vale of my X |
| Elizabeth Crowell | Ode to Meatloaf |
| Beth Oast Williams | Poem as Lap Dance |
| Temple R. Loveli | New Features |
| Fill My Holes | |
| Javier Sandoval | Wet Ghost City |
| Sacramental | |
| Darren C. Demaree | Emily as a Layered Work of Fierce Tenderness |
| Emily as Night Is This Anyway | |
| Stephanie Staab | Talking |
| Mary Buchinger | My heart eats the world |
| Adrienne Marie Barrios | Sometimes |
| Grocery Shopping | |
| Jan Freeman | I Spy |
| Lillian Emerick Valentine | Elegy Pruning Blueberries |
| Morgan Eklund | Darth Vader |
| Myronn Hardy | The Panther in Lisbon |
| Farah Peterson | Marigolds |
| Lenna Mendoza | Dissociative Episode as Britney Spears' 2007 VMA Performance |
| Mara Jebsen | Old Kids |
| where the metaphor of the tree hopefully falls apart | |
| Christine Kwon | November a loose branching clusters of scars |
| Tola Sylvan | |
| I return to the pink painting | |
| Monica Cure | Lines |
| Joan Kwon Glass | On the Eighth Anniversary of Surrender |
| Why Some Days, I Wish I Still Loved Jesus | |
| Maryam Ghafoor | The Body Has Deep-Rooted Memory |
| Going Home in the Pandemic | |
| Abbie Kiefer | , Lemon Ice Cream Melts from the Springform |
| , the Buyers Insist They'll Need Space for Entertaining | |
| Chip Livingston | Winter Fix |
| Cynthia Marie Hoffman | The Phantom |
| Liana Roux | Insects are Dying Off—Alarmingly Fast |
| Cassandra Whitaker | What Does the State Teach / With My Body |
| Craig Blais | from THE VENTS "'that/s a handsome young man'" |
| Marilyn A. Johnson | Increasingly Abstract Walks in the Woods |
| Thaw | |
| Rachael Inciarte | eep |
| Jenny Browne | Leaves Eddied Over the Earth's Scars |
| Rita Mookerjee | Self-Portrait as Saint Rita of Cascia Covered in Bees, 1381 |
| Reuben Gelley Newman | I put on Julius Eastman |
| Oksana Maksymchuk | Tempo |
| William Fargason | Golden Hour |
| Rebecca Kirk Connors | Modern Day Sin-Eater in the Gig Economy |
| Phoebe Reeves | Another Family Zoom Meeting |
| Stephanie L. Harper | Neurodivergent |
| Presentiment | |
| Zhihua Wang | An MFA Student from China |
| Madari Pendas | In Your Orbit |
| Oscar-Worthy Films | |
| Daniel Gunn | Murals |
| Kathryn Bratt-Pfotenhauer | The Old Raptures [Pompeii] |
| Funeral Procession Off the Exit to Canandaigua | |
| Seth Leeper | peels |
| Sarah Fawn Montgomery | Grief-Fed |
| Suzanne Frischkorn | When I Manage to Sleep Past 3 AM |
| William Archila | Because nostalgia... |
| When I am drunk enough... | |
| Gary Fincke | The Unicorn Lair |
| Leticia Priebe Rocha | Giving |
| Alignment | |
| Fiction | |
| A.J. Rodridguez | Americanos |
| 2023 Fiction Contest Second Place | |
| Sue McMillan | Cicada Song |
| Nina Sudhakar | Come Tomorrow |
| 2023 Fiction Contest First Place | |
| Kasia Merrill | Optimize Optical |
| Steph Grossman | Red on Yellow |
| Ashlee Lhamon | The Graveyard, the Garden |
| Creative Nonfiction | |
| Andrea Gregory | Date Me: A Memoir |
| Laura McPherson | Keepsakes |
| Julie Marie Wade | The Plague of Frogs |
| Art Portfolio | |
| Shane Allison | Portfolio |
Fall/Winter 2023-2024


