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| Poetry | |
| Cortney Lamar Charleston | It's Important I Remember That I Can Never Wash My Hands Enough— |
| It's Important I Remember That There Are Several Ways to Kill Houseplants— |
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| Jose Hernandez Diaz | The Last Time I Cried |
| Sara Moore Wagner | Contradictory Images in the Same Composition |
| Resurrection of Mother and Child | |
| Kim Garcia | Vigil in Threes |
| True Me | |
| Esteban Rodríguez | 40 El alacrán |
| Priscilla Wathington | progeny |
| As sons stand in line | |
| Anna Bernstein | A Tree Fell on the House During Plague-Time |
| Alixen Pham | The Burden of Translation |
| Ananda Lima | Rapunzel |
| Architecture Tour | |
| João Luís Barreto Guimarães, tr. by Antonio Ladeira |
The growth of time |
| Romana Iorga | God's Dollhouse |
| Joshua Coben | What a Son Owes His Father |
| Jules Lattimer | Reading Hass |
| Jeffrey Perkins | Diet |
| Natasha Sajé | The Root of All |
| Anney Bolgiano | The Driveway |
| Charles Douthat | 1963 |
| Sherine Gilmour | I Like the Serial Killer Shows the Best |
| Kate Kearns | Over Breakfast |
| Jennifer Schomburg Kanke | Step |
| How Some Children Played at Slaughtering | |
| Geula Geurts | Dream with Whale |
| Beate Sigriddaughter | Questions |
| Jane Craven | Hummingbirds |
| Ibe Liebenberg | Origin Story |
| 63 Skylark | |
| Stephanie Burt | Love Poem With a Roll On Its Side |
| Miami | |
| Spencer Riggi | agnosia |
| Ricky Ray | Why I Learned to Do Drugs Responsibly |
| Bridget Bell | Pressure |
| Kelly Rowe | I Inherit an Apron |
| JD Debris | Three Poems from "Chalino Sánchez: A Sequence": |
| [one for adán] | |
| Rochelle Robinson-Dukes | Aubade to Southern Black Superstitions, Burning Hair, and Being Good |
| Maria Zoccola | every hollow of the world |
| aubade | |
| Will Russo | Once |
| Donna Vorreyer | Fragments Approaching Sixty |
| Danae Younge | The lifespan of a bee |
| Emma DePanise | The smallest of songs |
| Natalka Bilotserkivets, tr. by Ali Kinsella and Dzvinia Orlowsky |
A Shell Like an Ear |
| Li Bai, tr. by Yun Wang | For Someone Faraway |
| Drinking Alone | |
| Magpie Miller | Her Only Portrait |
| John McCarthy | Our Once Content Father Explains His Failure to Organize |
| Sean Cho A. | Shifts: Temporal/Tense Poem |
| Sarah Marquez | Confessional Poetry |
| What Knowing You Teaches Me | |
| Erica Wright | Residual Storm Surge |
| Dominion | |
| Nicole Callihan | To Get to the Other Side |
| A Fog | |
| Alyssa Jewell | Against Cultivar |
| Chloe Martinez | I Ask the Questions Around Here |
| Endorphins | |
| Nancy Carol Moody | the day the tumor began (1) |
| the day the tumor began (2) | |
| Angie Macri | Particle, Little Part |
| Morphology | |
| Erin Bealmear | Life as a Mirror |
| Leila Chatti | Night Poem |
| I Dreamed I Forgot | |
| Night Poem | |
| Anemone Beaulier | |
| Leah Umansky | Narrative |
| Luis Alberto de Cuenca, tr. by Gustavo Pérez Firmat |
About Everything, with Everything / Con todo y sobre todo |
| Fiction | |
| Jake Maynard | The Anthropologist Problem |
| Allison Bulger | Freddy's Vacation |
| William Torrey | Disgrace |
| Emily Alice Katz | Cat Trap |
| Creative Nonfiction | |
| Andy Smart | Shots Fired |
| Nicole Oquendo | that snip |
| Art Portfolio | |
| Shannon Miguela Dillon | Paintings |
| Reviews | |
| Jennifer Kwon Dobbs | On Coming of Age: An Incomplete List of Names by Michael Torres |
| Leslie-Ann Murray | For the Living and the Dead: Funeral Diva by Pamela Sneed |
| Daniel E. Pritchard | Context and Culture: Breathing Technique by Marija Knežević |
| Rishi Reddi | Negotiation With Life: Minus One by Doris Iarovici |
Spring/Summer 2021
