Issue 50

“Storm Before the Calm” by Emily Forbes
Acrylic and alcohol ink on canvas: 18″x24″
Description and pricing details here.
| Poetry | |
| Lauren Mallett | Everything's Fine & Fucked | 
| Jade Hurter | On the Brink of Our Extinction | 
| Crystal Vision in Spring | |
| Gary Duehr | Standard Oil | 
| Emily O'Neill | Dear Andy (12) | 
| Karen L. George | Georgia O'Keeffe's Red and Brown Leaves, 1925 | 
| Rajiv Mohabir | Belief | 
| Ancestry.com | |
| John Sibley Williams | The White Album | 
| Parallax | |
| Naomi Mulvilhill | Gospel | 
| Robert Evory | Remote Universal | 
| Lisa Bellamy | Cucumber Psalm | 
| Edward Sambrano III | Memory of an Onion | 
| Michael Mark | Religion | 
| Clayton Adam Clark | Contact | 
| Ilan Mochari | i sugared your sorrows | 
| Catherine Stearns | On Not Writing a Poem for Almost Twenty Years | 
| Sebastián Hasani Páramo | Portrait of Us Burning | 
| Saddiq Dzukogi | The Mihrab | 
| Joan Naviyuk Kane | War Poem | 
| Seiche | |
| Tue Sy, tr. from the Vietnamese by Nguyen Ba Chung and Martha Collins  | 
Rainy Season in the Highlands | 
| Let Me Copy the Rest of That Poem | |
| Chris Anderson | Everything I Let Go of | 
| Kathleen Aguero | Night Sky | 
| Dmitry Blizniuk, tr. from the Russian by Sergey Gerasimov | The Green Streetlight | 
| Emily Corwin | Kat Harvey | 
| Marge Farrell | |
| Chinua Ezenwa-Ohaeto | Truth I Tell | 
| Peter Krumbach | Rumorville | 
| Transatlantic | |
| Julie Choffel | Dear Wallace, They say mother is the boredom | 
| Dear Wallace, Many, many animals and insects | |
| Dear Wallace, You were only here because | |
| Beth Suter | Portmanteau Prayer for Moms | 
| Sandra Beasley | Hains Point | 
| Rose McLarney | Mine | 
| Realizing | |
| Jan Freeman | Mobius | 
| Kelle Groom | The Sea Is Also a Horse | 
| David Galloway | Crossing Lake Champlain at Night | 
| Cameron Haramia | Teaching Eventuality with Forks Listening | 
| Michela L. Garabedian | Herzog's Penguin | 
| Here | |
| E. Kristin Anderson | Scattering | 
| Yun Wang | The Mirror's Edge | 
| Holly Day | The Yard | 
| Andrew Collard | Diorama | 
| Chris Siteman | Confession | 
| Hussain Ahmed | Flight | 
| Satellite Phone Call as a Form of Supplication | |
| Barbara Daniels | Thursday's Word of the Day is Tintinnabulation | 
| Hollie Dugas | Calling My Shadow by Name | 
| Jackleen Holton | Backyard, Late Afternoon | 
| Erin Wilson | Sabbatical | 
| Anthony Thomas Lombardi | Cleopatra sees snow for the first time | 
| Joseph Zaccardi | The Words in Letters | 
| Frannie Lindsay | Last Entry | 
| Fiction | |
| Anne Kilfoyle | Double-Yolked | 
| Matthew Wamser | Objects Do Not Fall | 
| Olivia Wolfgang-Smith | Moon Song | 
| Joanna Pearson | Mr. Forble | 
| Creative Nonfiction | |
| Kathryn Nuernberger | The Eye of the Hagstone | 
| Portfolio | |
| Emily Forbes | Paintings | 
| Reviews | |
| Joseph Holt | Human Touch: Sex & Taipei City by Yu-Han Chao | 
| Katie Sticca | Save Us from Ourselves: Orders of Protection by Jenn Hollmeyer | 
| Brandel France de Bravo | Mind as Aperture: Be with Me Always by Randon Billings Noble | 
| Mike Good | Living for the Very Last Time: Requiem with an Amulet in Its Beak by Elizabeth Knapp  | 
Spring/Summer 2020


