Shooting was needed to bring the bird close
to hand, but the first things
to alter after death and before
the specimen’s arranged, paints prepared,
are the eyes that shut, feet that clench
–natural enough, in death; but not
in life, which is what he sought
as he impaled the bird on sharpened wires
to bring it back to passing semblance
of a tableau vivant – so, for the fullness
of the scientific record, he must
uncurl the scaled feet, as if to grasp;
and with utmost gentleness of fingertip,
lift the lid of the eye, as if so see.