Inverting the Winter

poetry 0
Kasey Jueds

 

with lines by Louise Bourgeois

 

For a lifetime I have wanted
to say the same thing. Daubing red

 

paint against the sky, taking it away
in a different print. More blue then.

 

Laid down amid the shapes that mean
lake, mountain, house until the spaces

 

between them tremble and flush
with color. Over and over

 

the etched plate pressed to paper. Nothing
is lost. Inverting the winter tree

 

so branches become roots, burrowing
the mute earth. So roots become

 

branches, cradling a woman’s face.
Breasts press outward from

 

the trunk, her pelvis nestles where roots
descend. It was a subterranean,

 

unconscious land that I longed for.
Over and over the paper’s parched skin

 

opens to drink in pigment, ink. Over
and over the tree’s stripped limbs

 

stroked with crimson. Now they reach
in every direction, rouged. Now

 

for the sky behind them. Now for the blue.

Kasey Jueds’s first book of poems, Keeper, won the 2012 Agnes Lynch Starrett Prize from the University of Pittsburgh Press. Her written work can be found in journals including American Poetry Review, Crazyhorse, Narrative, Beloit Poetry Journal, Denver Quarterly, Colorado Review, Ninth Letter, and Pleiades. She lives in Philadelphia with one human, a spotted dog, and many houseplants.