Self-portrait in a Heat Wave

Vera Kroms
| poetry

 

As if the underworld were breaking through,

lake beds from Uzbekistan to California

emerge relinquishing their litter—

suicides, the murdered, the accident-

prone who one time slipped beneath

the water’s edge and stayed.

Now unlivable fragments of the globe

are being mapped for us on television—

expanses sectioned off in red, their edges

stretching forward day by day

like an invading army brandishing the sun.

As I watch, I round up every tendril

of my hair and anchor it high, off

my constantly damp neck, wondering

what has gone now. Perhaps the dogs

of Chernobyl can be of help. As the children

of the abandoned and deserted, they changed,

then changed again, maybe finally

having learned to thrive on poison.

Outside, the bricks are sizzling.

 

Vera Kroms is the author of the poetry collection The Pears of Budapest (Red Mountain Press, 2020) and the chapbook Necessary Harm (Finishing Line Press, 2010). She worked as a programmer for many years and is now retired and living in Arlington, MA.

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